Bass-line a go-go.
Song: Bombast
Album: This Nation's Saving Grace
Year: 1985
Sounding for all the world like a robot issuing a firm threat at the start, this is MES puffing his chest out, it's good stuff, with an excellent S. Hanley bassline making everything else seem extraneous. Its a good example of a jam-like track becoming a studio one. This album is full of recording innovation and this song is one of those that seems as if it could last forever. The lyrics aren't much to shout about, but do keep up the whole energy of the track, joining in with all the strident guitar and bass that make this a real album highlight. In fact, scratch that, because every song on this album fits, this is a rare Fall album where everything just flows. Others I would argue that maintain this almost-seamless nature are YFOC, Fall Heads Roll and The Infotainment Scan, where songs seem to have a common theme or template, this song fits in perfectly with the amiable, wandering Paintwork and the straight-up confusion that is of Couldn't Get Ahead.
I often think this is one of the band's best moments, it's certainly an album I'd recommend musicians to listen to, it almost defines thinking outside the box, both with the aforementioned recording techniques, but also in terms of loose playing, the lack and ensuing musicality of the players styles on here defies an easy explanation, it just sounds right. Like a band in tune, not necessarily in the traditional sense, but in the artistic vision they share. I'd have been proud to come up with half of what the line-up on this album did, so inventive and free of genre constraints, it must be a hell of a lot of fun being in The Fall, no matter how brief your involvement.
What started out as a daily blog is no longer sustainable within a life so filled with activity, This is now an experiment, a blog I will update every Tuesday and Saturday. Within this endless digital blurb I will be listening to, commenting on and then discussing tracks by The Fall, two Fall songs a week will last me years and years. Let the madness begin. Just hope I don't lose my mind. Feel free to abuse me on michael.j.shields@hotmail.co.uk
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one of my faves, i never tire of 'bombast'. and i agree, it sets the template for the album ahead - messy but somehow cohesive and, well...brilliant. the last wig-out is one of the fall's heaviest and heartiest minutes, says i. you can fell buildings with this one.
ReplyDeleteAaah, back to the early 80's, hope 'Middle Mass' is not far away on the horizon. As some people may agree on, the Peel version is ca. 1000 times better than the Slates version, by far my all time favorite Peel recording.
ReplyDeleteThere is not a single breath of non-awesomeness between 1980-1985 from this band...